All about the cinema

Monthly Archives: July 2011

Corker French thrills, moving Pollock paintings, arsevant-garde insanity and crime, Takeshi Kitano style (MIFF: Day 8)

The storyline of Top Floor, Left Wing (film #31) — a tight and peppy black comedy/hostage drama from French writer/director Angelo Cianci — is propelled by a misunderstanding. Police and a bailiff arrive at the flat of Mohand (Mohamed Felagg) to serve an eviction notice but his son Salem (Aymen Saïdi) assumes they’re there because [...]

Bogart, Hawks and Chandler, ho-hum from Poland, beautiful vacuousness and anti-cool coming of age (MIFF: Day 7)

The problem with yesterday’s screening of German/Polish drama Winter’s Daughter (review below) was not that it was half full of squawking high school students but that their curriculum, which this film is presumably a part of, did not include education about cinema etiquette. To be fair, the crowd was fairly well behaved, particularly given their [...]

A misunderstanding in the foyer, one clever chimp, Israeli dramedy, tabloid shenanigans and hipster futurism (MIFF: Day 6)

Watching a plethora of bold films every day from the minds of interesting artists from various spots on the globe is, to a point — when, say, your eyes roll back into your head and your body develops deep vein thrombosis as a way of saying f-you, pal — nourishing for the mind but not [...]

Project Nim movie review: chimpan-cin-ema

Documentarian James Marsh, whose previous Oscar-winning film Man on Wire detailed the life and vertiginous exploits of French high-wire daredevil Phillippe Petit, homes in on another fascinating subject in this cradle-to-the-grave, nature-versus-nurture doco about a chimp raised to be a human. Loads of archival footage and photographs interlaced with re-enactments and interviews from people close [...]

Face to Face movie review: all eyes on a great new Australian film

Less than a week into the Melbourne International Film Festival, after yours truly had sat through over 20 feature film screenings in less than five days and absorbed everything from Czechoslovakian psychoanalytic comedy to fattened French period epics, a reel bolt out of the blue arrived: proof that a David Williamson play can still provide [...]

Stoking Russian crime, viva Las Elvis, check mate and face to face with Aussie cine greatness (MIFF: Day 5)

The bright light city sure did set Elvis’ soul on fire, and it was a delight to watch George Sidney’s 1964 gem Viva Las Vegas on the big screen, my third film in MIFF’s 2011 retrospective program. However it was a modest new Australian drama with a tiny budget and a big heart that provided [...]

Toynbee tiles, Giamatti on a winner, RIP Detroit, postcard drama and hot South Koren fuzz (MIFF: Day 4)

In this strange game of eye-hurting attrition and film reviewing stamina known as MIFF’s 2011 blog-a-thon challenge, I am now past the quarter way mark in my quest to watch and review 60 films in 17 days. With day four done and dusted, I’ve notched up 18 feature film screenings, with my previous three days [...]

Crazy stop motion, psychedelic fruits, Everybody Loves Kostya and samurai assassins go nuts (MIFF: Day 3)

There are worse ways to kick off a Sunday morning than watching a self-professed “psychoanalytical comedy” from an extremely unorthodox Czechoslovakian filmmaker with a fascination for mingling stop motion animation with live action footage and exploring all manner of Waking Life-esque dream scapes, but admittedly there are better ways too — like staring into a [...]

Broken dreams, crowded cemeteries and taking shelter from storms (MIFF: Day 2)

Hollywood: that magical land where bright young hopefuls with elastic smiles and moony eyes get transformed into international sensations, names emblazoned in twinkling floodlight-lit letters on the skyline of popular culture. A place where lives become legends and dreams reality. Yeah, that’s laying it on a little thick, but there are still plenty of poor [...]

Half midnight mini mental update (MIFF: Day 2)

We all make mistakes. We all flash a bad hand from time to time, overstay our welcome at some place-or-other, bet our money or our time or our love wrong, throw the die and come up with snake eyes. If I were a person prone, as many of us are, to looking back and pausing [...]

Ménage à trois, vintage Scorcese, Joan of Aaah When’s it Over? and a hobo with a shotty (MIFF: Day 1)

The first official MIFF screening (excluding opening night) began with an apology. Programmer Al Cossar, caught in a bum gig, introduced Run Lola Run and The International director Tom Tywker’s latest film, the German drama Three (film #2) with an explanation that the version the audience were about to watch would have a large watermark [...]

Fairies, a hissing microphone, red onion tart canapes and fine company (Opening Night: MIFF 2011)

Heavy in the head, bleary-eyed, no time for a shower, drawn like a magnet to my MacBook Pro keyboard, hissing at the trickles of daylight seeping through my lounge room windows like a vampire about to re-enter their coffin – this is how one feels, or how one ought to feel, or simply how I’m [...]

Covering the 2011 Melbourne International Film Festival

For the next two and a half weeks, until August 7, this blog will be entirely devoted to reporting on the 2011 Melbourne International Film Festival (MIFF). This year marks the festival’s 60th anniversary, and as part of the birthday celebrations myself and five other film bloggers have agreed to participate in the MIFF 2011 [...]

Bad Teacher movie: half-hearted bitchiness

Cameron Diaz slips into super bitch mode in this daft but refreshingly amoral comedy from director Jake Kasdan (Orange Country, Walk Hard: The Dewey Cox Story) that takes the premise of Terry Zwigoff’s Bad Santa (2003), dilutes it and switches the setting from a shopping mall to a classroom. Elizabeth Halsey (Cameron Diaz) is the [...]

The Beaver movie review: mental illness, Gibsonified

There is a compelling sense of desperation in Mel Gibson’s baggy-eyed performance as a mentally ill businessman who finds a second life via a musty puppet beaver in this left of field, and long delayed, Jodie Foster-directed drama that arrives in cinemas burdened by the baggage of Gibson’s chequered reputation. The life/art parallels between Gibson [...]