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SYDNEY FRINGE FESTIVAL |

REVIEW: The Merger | Reginald Theatre (Sydney Fringe)

The Merger, Melbourne comedian Damian Callinan’s well-crafted football farce, is one of the hits of Sydney Fringe.

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SYDNEY FRINGE FESTIVAL |

REVIEW: Product (Sydney Fringe) | The Reginald Theatre

As we enter, we see a woman, seated, her back to us, with a blindingly bright light, housed in a large, shiny black box, shining upon her. The lights go down, the black box slams shut, to reveal a man and a chair. It almost instantly becomes clear the man is a movie producer, James; [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: Earth Angel (Sydney Fringe) | The Reginald Theatre

Earth Angel is billed as “a mystical theatre production, that’s both visually and physically breathtaking”; or something like that. And there can be no doubt about its excellence, in certain respects. There are some breathtaking, acrobatic and aerial dance sequences. Those bodies really take a pounding. The choreography is tough, uncompromising, brave. And the dancers [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: LadyNerd (Sydney Fringe) | Seymour Sound Lounge

I love a one-hour show. Well, to be a nerd about it, 55 minutes. And self-confessed ladynerd Keira Daley packs a lot into every one of those 55 minutes. If anything, it’s overwritten (by Daley). But, boy, is it well-written?! That’s a resounding ‘yes!’ All-singing, all-dancing Daley has done her homework. Which is nothing less [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: Broadway Bard (Sydney Fringe) | Sidetrack Theatre

To Morrow, and to Morrow, and to Morrow! Fans of The Chaser will know Julian Morrow’s a pretty smart guy. Perhaps less well-known is his dad, Melvyn Morrow, is, too. He’s a backroom boy, but if I mention that he’s written, way back when, for Phillip Street Theatre and The Mavis Bramston Show (both of [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: Shakespeare’s Will | Old 505 Theatre, Sydney

Ironically, the Old 505 Theatre is a new venue. Well, kinda. Sorta. It was started several years ago now, by jazz bassist Cameron Undy and his creative backbone, his wife, Kerry Glasscock. Unit 505, Hibernian House, 342 Elizabeth Street, opposite Sydney’s Central Station, was their home and rehearsal space. A space which they decided, illegally [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: The Sensuous Woman (Sydney Fringe) | School of Arts

I’ve seen a lot of things in darkened rooms. But never have I seen such an oversized vagina. Well, vulva, to be anatomically correct. And, believe me, I’ve looked. I dare say you will never have seen such a prodigious organ this side of Sydney Town Hall, or St. Mary’s Cathedral, either. I’m not sure [...]

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SYDNEY FRINGE FESTIVAL |

REVIEWS: Daughters of Whores (Sydney Fringe) | Petersham Town Hall

And you thought it was tough being the daughter of a billionaire, a la Paris Hilton. Well, no, okay, maybe that isn’t so tough. But it is tough being the daughter of a whore. I mean, depending what company you keep, it can be embarrassing. (Granted, it could be worse. You could be the daughter [...]

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SYDNEY FRINGE FESTIVAL |

REVIEW: Pistol Whipped (Sydney Fringe) | The Forum

There’s more to dance than dancing, in the technical sense. I’ve said it before. And I’ll say it again. One can be highly athletic. Flexible. Skilled. Rehearsed. Precise. Passionate. Committed. Confident. Competent. Be adept at any number of moves. And still not really be a dancer. It doesn’t, I don’t believe, take one to know one. You know when you see one. Grace. Carriage. Elegance. Sensuality.

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SYDNEY FRINGE FESTIVAL |

REVIEW: What I Did For Love (Sydney Fringe) | Notes

Anyone who stages a show in the Sydney Fringe Festival is doing it for love, not money. Small, if smart audiences ensure that integrity. For Anne Wilson’s cabaret debut at Notes, there seemed to be a decent contingent of relos, friends and cheerleaders.

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