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REVIEW: Hamlet | Belvoir St Theatre, Sydney

Simon Stone has raised The Bard. His Hamlet, typically sliced and diced, is thrilling. And Toby Schmitz is commanding in the lead.

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REVIEW: Small And Tired | Belvoir St Theatre, Sydney

A Greek myth turned into a gay Sex In The City? Kit Brookman’s adaptation of the stories around Orestes for Belvoir St is radically contemporary.

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REVIEW: Miss Julie | Belvoir St Theatre, Sydney

Miss Julie is missing nothing, from gutsy aural landscape to its blood-bathed denouement. Bugger the critics, this is another victory for Simon Stone.

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REVIEW: The Baulkham Hills African Ladies Troupe | Belvoir St Theatre, Sydney

There’s profound emotional density in The Baulkham Hills African Ladies Troupe, a Belvoir St production testament to the female human spirit.

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REVIEW: Persona | Belvoir St Theatre, Sydney

This is compelling and compulsory theatre. Persona, Fraught Outfit’s theatrical adaptation of Ingmar Bergman’s 1966 film, somehow matches the film’s brilliance.

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REVIEW: I’m Your Man | CarriageWorks, Sydney

I’m Your Man was one of the theatrical highlights of last year’s Sydney Festival. The Belvoir St boxing drama has now embarked on a national tour.

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REVIEW: Angels In America | Belvoir St Theatre, Sydney

It’s widely regarded as one of the greatest plays of the contemporary repertoire. And Tony Kushner’s two-part epic on ’80s America is performed with justice on the Belvoir St stage.

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REVIEW: Forget Me Not | Belvoir St Theatre, Sydney

There’s an awkward, eloquent silence to Tom Holloway’s Forget Me Not. It’s one of the finest Belvoir St Theatre productions in quite some time.

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REVIEW: Stories I Want To Tell You In Person | Belvoir St Theatre, Sydney

She’s never acted before. But if Lally Katz can become one of the most performed writers in Australia, why not a one-woman show? It’s full of heart.

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REVIEW: Cat On A Hot Tin Roof | Belvoir St, Sydney

Cat On A Hot Tin Roof with Aussie accents? There’s something not quite right about Simon Stone’s miscast adaptation of Tennessee Williams’ all-American classic.

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