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REVIEW: Romeo And Juliet | Drama Theatre, Sydney

Sydney Theatre Company doesn’t present the definitive take on Shakespeare’s classic, if such a thing exists, but Kip Williams’ feministic take is a thrilling ride.

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REVIEW: Cinderella | State Theatre, Melbourne

You know the story, but Australian Ballet’s production of the fairytale classic will still break your heart. Cinderella is exquisite from start to finish.

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REVIEW: Les Illuminations | The Studio, Sydney

Add Benjamin Britten, Rimbaud, the Sydney Symphony Orchestra, Katie Noonan and eight of Sydney Dance Company’s best for a magic night of theatre.

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REVIEW: iTMOi (in the mind of igor) | Drama Theatre, Sydney

Igor Stravinsky’s The Rite of Spring gets an imaginative modernisation from the internationally renowned Akram Kahn Company. It’s a fitting celebration of a classic work.

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REVIEW: Paquita and La Sylphide | State Theatre, Melbourne

The national ballet company presents an exquisite double-bill in Melbourne and Sydney, showcasing some extraordinary athleticism by its principal dancers.

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REVIEW: Albert Herring | Joan Sutherland Theatre, Sydney

It’s your last chance to see one of Opera Australia’s acclaimed productions, the Benjamin Britten chamber piece Albert Herring. The performances are fine.

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REVIEW: La traviata | Joan Sutherland Theatre, Sydney

Opera Australia’s timeless vision of Verdi’s classic, with a superb cast led by Emma Matthews, brings a finesse that defies the opera’s grand scale and sumptuousness.

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REVIEW: Don Pasquale | Joan Sutherland Theatre, Sydney

This is the opera for beginners. Even if you can’t stand the form, take a chance on Opera Australia’s production of Don Pasquale. It’s just like a Roman Holiday

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REVIEW: Tosca | Joan Sutherland Theatre, Sydney

John Bell has restored Opera Australia’s Tosca to its former glory with a monumental production that is a badge of honour for company and director.

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REVIEW: The Force Of Destiny | Joan Sutherland Theatre, Sydney

This operatic force from director Tama Matheson is unrelentingly dark, only brightened by Verdi’s colourful score. And that’s a rare treat for a rarely performed piece.

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