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Australia’s most prolific playwright serves up another relationship drama that still has plenty of things to say — by silver-tongued characters.

From a suburban dance studio a decade ago, Gideon Obarzanek brings his slice-of-life play to the Sydney Theatre Company. It’s a charmingly clumsy tale.

The very best of Britain comes to Australia in the Olivier-winning, Tonys-conquering National Theatre mega-hit. Its Sydney showing proves the universal appeal of a side-splitting adaptation.

Sydney Theatre Company go back to the dusty pages of George Bernard Shaw’s work to find little-performed Mrs Warren’s Profession. It’s a witty, non-challenging escape.

The Secret River is as close as it gets to textual healing. Kate Grenville’s 2005 novel on Australian race relations is even more alive on the Sydney Theatre stage.

If you’ve ever been a pimply, gangly teenager, you’ll relate to School Dance. And remember the embarrassing soundtrack. Sydney Theatre Company’s festival offering is nostalgic fun.

An all-male The Pirates Of Penzance experience comes to Sydney via London. It’s the very model of a modern presentation of Gilbert and Sullivan revue.

Celebrated novelist Tim Winton’s second attempt at stage writing might be too subtle for some. But it’s unmistakeably Winton, if that’s your thing (it’s ours).

The Wharf Revue crew have been doing this longer than they care to remember. But the latest intergalactic piss-take is as funny as anything you’ve already seen.

Good Sex, and you don’t need protection. Jacqueline McKenzie and Ryan Corr are convincing lovers in a new Sydney Theatre Company play.