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Articles by Luke Buckmaster

Review: Greg Fleet in The Boy That Cried Sober | Melbourne International Comedy Festival

Greg “Fleety” Fleet has remained an unlikely fixture of the Australian stand-up comedy scene for decades, a meandering raconteur whose anecdotes flow thick and fast and often involve unintended mayhem. Fleet’s experience working crowds and getting audiences on side despite risqué material – most notably a surfeit of jokes about being a former heroin junkie [...]

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Review: Dan Ilic and Emily Rose Brennan in Sidekicks | Melbourne International Comedy Festival

With little cover for sluggish scripts and less for patchy performances, a two person play can go off the rails very quickly. Director Louise Alston’s Sidekicks, starring Dan Ilic and Emily Rose Brennan, has no costumes (with the exception of a tie and a wig) and sets — at least decorated ones — that exist [...]

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Review: Jimeoin in WHAT?! | Melbourne International Comedy Festival

Luke Buckmaster writes… Having swanned between comedy stages for over two decades, pulling faces and rattling off puns with that distinctive Irish twang, Jimeoin is the sort of comedian relegated to a distant memory: an old TV show, a radio spot, a movie, a poster with his beaming face on it.

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Review: Ross Noble in Nonsensory Overload | Melbourne International Comedy Festival

Filling a 50 minute stand-up show is no easy task. Filling two hours — even with a 20 minute break in the middle — requires absolutely confidence. First-class British import Ross Noble is choc full of that. At St Kilda’s gorgeous Palais Theatre Noble schooled his audience with a veritable masterclass of comedy, his trademark [...]

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Review: Meg Pee in Close to You | Melbourne International Comedy Festival

One of the great things about the Melbourne International Comedy Festival is its capacity to act as a circuit breaker for new and undiscovered talent. Anybody can brace the stage and attempt to win over audiences: cough up some dosh, fill out a registration form, book a room and you’re on the program. There are, [...]

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Review: Wing Attack! in PANTS (Pants) | Melbourne International Comedy Festival

It’s true that every festival show is different, every performer unique. But after notching up double digits on the comedy festival tally sheet it’s almost impossible not to feel a sense of déjà vu. You hear a lot of jokes about belonging to a particular race, a lot of jokes about jaded ex-lovers, a lot of [...]

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Review: Tegan Higginbotham in Million Dollar Tegan | Melbourne International Comedy Festival

Loosely tied to a sprawling story line about venturing into the world of professional boxing, 24-year-old up-and-comer Tegan Higginbotham gives a literal twist to “punch lines” in Million Dollar Tegan, a comedy show companion piece to Clint Eastwood’s 2004 boxing drama – and thankfully a great deal more amusing. Whether Higginbotham jumped in the ring purely for [...]

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Review: Moataz Hamde & Amos Gill in Background Check | Melbourne International Comedy Festival

Nobody needs to point out that cracking into the comedy scene is a tough grind. Stand-up comedians generally start by refining their acts in dingy low-lit rooms, adding and cutting material until a they have a reliable stable of gags, but there’s a world of difference between filling a ten minute spot with eight other [...]

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Review: Felicity Ward in The Hedgehog Dilemma | Melbourne International Comedy Festival

With the motor mouth and unfettered energy of a true extrovert, Felicity Ward is a loud and boisterous comedian with a habit of following incongruous jokes by looking at the audience with an expression of “did I just say that?” stamped across her beaming countenance. If she wasn’t wary of audience interactions before this year’s [...]

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Interview with East End Cabaret | Melbourne International Comedy Festival

Salacious London-based duo East End Cabaret, starring Bernadette Byrne (played by Jennifer Byrne) and Victor Victoria (played Victoria Falconer-Pritchard), is up there with the crème-de-la-crème of musical acts at this year’s Melbourne International Comedy Festival. Featuring a cavalcade of raunchy songs with names like It Was Still Hard and Danger Wank, it’s clear early in [...]

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Review: Simon Keck in Cheating Life | Melbourne International Comedy Festival

Some of the pleasures of progressive stand-up comedy arise from the comic’s ability to push boundaries, explore social taboos and judge how far they can nudge audiences out of their comfort zones without losing them. Whether the crowd laugh along to jokes they might never make themselves or shake their heads in disgust isn’t so [...]

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Review: David Quirk and Benn Bennett in Man-Date | Melbourne International Comedy Festival

The setup is a man-date between two socially awkward gents. They begin in undies, change into clothes and the show – well, play – takes place around a small two person table as they make chit-chat and wait for their meal. It’s obvious from early on that David Quirk and Benn Bennett haven’t thought much [...]

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Review: Tim FitzHigham in Gambler | Melbourne International Comedy Festival

His collar is up, his shirt is untucked, his “arrr me hearties” dress sense seems to belong to a pirate ship, he speaks with a thick British accent and his eyes are wide and buggy, with heavy bags hanging beneath them. Tim FitzHigham looks and sounds like he arrived not just from a different place [...]

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Review: Lawrence Mooney in Lawrence in Suburbia | Melbourne International Comedy Festival

Last year festival favourite Lawrence Mooney pretended to struggle to write a comedy show in the self-reflexive rib tickler An Indecisive Bag of Donuts (winner of Crikey’s Best of the Fest award), an hour of comedy so good it deserved to be recorded, put inside an indestructible flying server drone and shot into space to [...]

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Review: Andrew McClelland in One Man Stand | Melbourne International Comedy Festival

Hinged on one titanic tour de force performance from the mercurial Andrew McClelland, One Man Stand presents eight strikingly different stand-up acts from various spots on the globe, with guests including a bogan Australian, an experimental Russian and a brash overweight American. The twist is, they’re all performed by McClelland. It’s a performance that will slap [...]

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Review: Peter Helliar in Snazzy | Melbourne International Comedy Festival

If you thought Rove alumni Peter Helliar was a homogenised play-it-safe comedian suitable only for the teev and not the edgier, more intimate surrounds of the stage, Helliar’s new show will topple your expectations and make you giddily guffaw along the way. He does irreverent very well — a shock to the senses, perhaps, to any [...]

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‘There is no earthly way of knowing’ — the trailer for Trav Nash’s Mind Boat | Melbourne International Comedy Festival

Last year two of my favourite Melbourne International Comedy Festival Shows were Trav Nash’s balls-to-the-wall Good Grief and Lawrence Mooney’s pitch-perfect An Indecisive Bag of Donuts, which snagged Crikey’s Best of the Fest award. One can understand, therefore, how my interest was immediately piqued when these these two neo-thespian high-powered monster storytellers of the Melbourne comedy [...]

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Review: Ronny Chieng in The Ron Way | Melbourne International Comedy Festival

Some comedians work rooms for decades, put on shows year after year and don’t get a quarter of the laughs extracted by Malaysian-Chinese comic Ronny Chieng in his debut solo. At 26, and stuffed to the gills with attitude, Chieng is one of the local scene’s best and boldest up-and-comers. The Melbourne-based stand-up started comedy [...]

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Review: Matt Okine in Being Black & Chicken & S#%t | Melbourne International Comedy Festival

It’s an interaction everybody in the comedy scene knows well. Comedian is interrupted by heckler. Comedian bites back with a slashing put down. Comedian re-establishes him/herself as the rightful custodian of the laugh-scape. There are some comics, however, who give the impression they’d do virtually anything to avoid confrontation. Sydney fly-in Matt Okine — whose [...]

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Review: Bob Franklin and Steven Gates in Stubborn Monkey Disorder | Melbourne International Comedy Festival

The show starts in pitch black as Steven Gates enters the room, lost and crying for help. Alone in a park at midnight sound effects crackle through the speakers. He finds Bob Franklin on stage, who appears to be sitting on a fake leather office chair pilfered from Ikea. Wearing a white doctor’s jacket, Franklin [...]

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Review: Justin Hamilton in The Goodbye Guy | Melbourne International Comedy Festival

When ambitious stand-up comedians reach a certain creative threshold, hit a certain high water mark, doing an hour of randomly cobbled together jokes often isn’t enough. They might look for an umbrella theme to hover over their routine, a narrative glue to stick the bits and bobs together — something to elevate the material from [...]

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First impressions of Angry Boys

Chris Lilley bounced back into Australian lounge rooms this week in his highly anticipated TV show Angry Boys, a follow-up to the popularly and critically adored one-man-many-characters LOL fests We Can be Heroes and Summer Heights High. Lilley’s appearances on the teev come pre-packaged with a sense of spectacle, a sort of limited-time-only appeal. For [...]

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Review: Charles Barrington in An Audience With Charles Barrington

Charles Barrington would like you to believe he’s an international sensation – a well-travelled thespian and raconteur who’s hobnobbed with the rich and powerful and performed in front of many and varied audiences, from legions of fans to armies of critics and, on one particularly unusual occasion, a crowd of ten billion insects. The truth [...]

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Review: Kieran Eaton and Laura Money in Unfinished Business

Moments before Unfinished Business is scheduled to begin, co-star Kieran Eaton fronts the crowd and politely announces that the show will commence a few minutes late. One of the reviewers, he explains, is yet to arrive. “Who cares about the Herald Sun anyway?” he yelps into the microphone. Trouble is, Eaton got it wrong. His [...]

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Review: Fiona Scott-Norman in Disco: The Vinyl Solution

It’s easy – and forever fashionable – to cast one’s gaze back through the haze of nostalgia and remember the world to be a better place way back when. To believe that the streets were safer, the air was a cleaner and 256 colours on a computer monitor was more than enough, thank you very [...]

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Review: Lawrence Mooney in An Indecisive Bag of Donuts

There is something quintessentially Australian about the performance style of Lawrence Mooney, but pinpointing precisely what is tricky. Like the qualities we equate with a true blue sense of humour, his brand of jocularity is riddled with contradictions: laidback and harsh, earnest and mean, loquacious and blunt, compassionate and misanthropic. A favourite on the festival [...]

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Review: Doc Brown in Unfamous

No comedy festival lineup is complete without a healthy whack of wise crackin’ Pommy humour, and Doc Brown presents a familiar but endearing shtick: the smooth fast talking “av a laf” middle class Brit. His show Unfamous has a catch: it is in part a hip-hop performance and has been marketed as such. At this [...]

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Review: Little Johnny (movie)

It’s no secret that animation is one of the most laborious and time consuming processes in film production, a hellishly painstaking past time that requires inordinate amounts of time to generate any kind of result. It is therefore a damn shame when good animation is bogged down by clunky writing, because – and Hollywood attests [...]

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Review: Trav Nash in Good Grief

If every stand-up routine were as wildly verbose as the brick-of-anecdotes-to-your-face style of Melbourne comedian Trav Nash, one gets the sense the craft would either sky rocket to new heights of popularity or collapse like a sick dog in a gutter, saved for brave souls with insatiable appetites for loud and offbeat storytelling. In his [...]

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Womens Agenda

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