‘LiteraryMinded is ozlitcrit with spunk (n. 1. Colloq. Pluck; spirit; mettle.)’ – Stephen Romei, literary editor, The Australian
‘Quirky, insightful and delightfully egalitarian, LiteraryMinded hunts down good Lit wherever it lives, whether in the pages of Kafka or Plath, Frankenstein, Meanjin, the latest thriller or the spoken word of an emerging poet.’
– Tara Moss, bestselling author of Siren. taramoss.com
‘I wish I was Angela Meyer. She reads, she writes, she blogs and she can party through a festival like no one else.’ – David Ryding, former director, Emerging Writers’ Festival
‘LiteraryMinded is high lit pop cult alt shift A for awesome’ – Simmone Howell, author of Notes From the Teenage Underground and Everything Beautiful
‘LiteraryMinded is an essential part of my morning procrastination ritual. It’s how I find out what’s going on in the world beyond my desk.’ – Toni Jordan, author of Addition and Fall Girl
Click ‘About Angela’ for publication details and festival appearances.
Independent news, blogs and commentary on politics, media, business, the environment and life.
Copyright © 2012 Private Media Pty Ltd, Publishers of Crikey. All Rights Reserved.
Web development by Valegro
Editor: Jason Whittaker
Publisher: Eric Beecher
Political Correspondent: Bernard Keane
Level 6, 22 William St, Melbourne, 3000
Ph: 1800 985 502
Fax: (03) 8623 9975
Melbourne Writers Festival 2009 diary part two: Grenville, Michaels and the ‘engine of curiosity’
Stories everywhere: The guy in the ACMI cafe shares my love of David Bowie, and they make a mean ham toastie.
The title of the session Oranges are the Only Fruit alludes the the Orange Prize, which guests Anne Michaels and Kate Grenville have both won. Peter Clarke was a generous and intelligent chair, steering the conversation mainly in the relation of ‘process’, and how one gets to such a level of ‘literary art’, as he put it. For Kate Grenville, there is really ‘no such thing as a fact’, only interpretations. We are left with the ‘energy’ of history, and in that, something that asks questions about the present. When Anne Michaels is writing she may start with a collection of facts, but its the ‘meaning between the facts’ which is important. And this may take time to emerge.
Did you know? Kate Grenville has two early manuscripts in her bottom drawer. The reason they were unsuccessful was that she was trying to write to a plan, and wasn’t letting herself be taken down the roads of curiosity. Also, she did 30 drafts of The Lieutenant. And despite having written many novels, each time she feels a fear – one specifically related to being true to the imaginative potential of the material and the characters. ‘If you go honestly asking questions … something opens up in a meaningful way.’ So go forth, writers, with your ‘engine of curiosity’!
Anne Michaels spoke with sensitivity and insight about the ‘perilous’ journey of a book in formation. As human beings we naturally want to simplify or reach a conclusion about a difficult and complex issue or situation. Michaels says we should ‘respect the complexity of what we’re writing about’. Go there! Go ‘beyond what you think you can do’, she told an emerging writer in the audience.
Grenville and Michaels will be appearing at further sessions. I highly recommend seeing them – engaging and articulate speakers, who also read beautifully from their own works.
AND LiteraryMinded will feature an interview by Matthia Dempsey, with Michaels, after the festival. Stay tuned (or ‘clicked in’ as the term probably should be).