By Nightfall, Michael Cunningham, HarperCollins (Aus pb, Aus ebook, US and Kindle, UK) Over the past few days I’ve been in the audience of four sessions featuring my favourite American author Michael Cunningham. Cunningham’s latest novel is By Nightfall. I’ve drafted a few posts on it since I read it, but was never able to adequately [...]
By Angela Meyer
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Posted in Interviews + Profiles, Reviews + Analyses
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Also tagged A Home at the End of the World, AIDS, American authors, American literature, annihilating art, art, art as object, beauty, book to film, By nightfall, Death in Venice, distances, Duchamp, empathy, eroticism, exquisiteness, favourite authors, fiction, gay authors, homoeroticism, irony, longing, marriage, Michael Cunnigham, middle-age, modernism, mortality, my favourites, New York literature, passion, relationships, romance, Specimen Days, Sydney Writers Festival, The Hours, Thomas Mann, transcendence, Virginia Woolf, visual art, Wheeler Centre, writing, writing process
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January 18, 2011 – 8:30 am
I am going to read 20 classic, modern-classic or cult books in 2011. All book-lovers have gaps in their reading – how could you possibly read everything? In recent years I’ve been fairly up-to-speed with newer books and Australian literature, but I’ll often find myself in conversation, saying ‘oh, I haven’t read such-and-such yet’. People often assume I [...]
On the weekend I was up in sunny Brisbane for the Australian Booksellers Association 2010 conference. It’s a conference for members and friends of the ABA – so, booksellers, publishers, and some librarians and media. I was officially there as a ‘blogger’ – on a panel called ‘Customers, Connections and Communities’, with Andrew McDonald from [...]
By Angela Meyer
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Posted in Commentary, Reviews + Analyses
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Also tagged ABA, Australian authors, Australian Booksellers Association, Australian fiction, authenticity, Bereft, Bleed for Me, blogging, Bookseller+Publisher, booksellers, bookselling, bookstore customers, Chris Womersley, community, connection, crime fiction, culture, Darkwater, Facebook, genre fiction, Georgia Blain, Jon Page, Kirsten Tranter, literary communities, Michael Robotham, Pages & Pages, Patrick Holland, readers, readings, Richard Nash, Richard Yates, social media, The Easter Parade, The Legacy, The Mary Smokes Boys, Twitter, YA fiction
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December 20, 2009 – 2:10 pm
See also – part one: on the origins of a contemporary story; part two: on wisdom and imagination and part three: on cross-eyed novels, the time we have, and liberties of language. My feature interview with Alex Miller on his new novel, Lovesong (Aus, US), was published in Readings Monthly. You can find it here. [...]
By Angela Meyer
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Posted in Interviews + Profiles
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Also tagged Alex Miller, Alexis Wright, Australian authors, Australian literature, Australian writers, Conditions of Faith, feminine writing, finding stories, Lovesong, Nabokov, re-reading, readings, solitary activity, storytelling, storywriting, writing as a woman
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December 13, 2009 – 4:18 pm
Besides my Oma, the person who most encouraged my writing when I was a child was my year 3 teacher, Mrs Grant. She was an exchange teacher from Canada and we all grew to love her so much that it was devastating the day she left. She was so sweet that one time, when my best friend [...]
By Angela Meyer
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Posted in Commentary, Self-indulgence
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Also tagged 1993, Aladdin, becoming a reader, being 9, Big Banana, childhood, classmates, diary, dinosaurs, friends, Genie, imagination, inspiration, journal, Jurassic Park, Linda Grant, Michael Jackson, Mrs Grant, neighborhood kids, Paul Jennings, personal, pivotal moments, school, Storyland Gardens, teachers, teaching, The Grinch, The Simpsons, UFOs, writer, year 3
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Writing on writing: guest post by Harry Bingham
I’ve been a professional writer for more than ten years, but it was only recently, when asked to produce a How to Write book by A&C Black/Bloomsbury, that I came to think systematically about this craft of ours. I mean ‘systematically’ in two different dimensions. First, there’s the whole area of technique. How, precisely, [...]