Aakash Odedra is a light on the hill in contemporary dance, and Rising shows off his exquisite style and light-footedness.
The role of the egocentric, fading actress is perfect for Alice Livingstone, who has both an apparent penchant and perspicacity when it comes to such characters. This production is a fitting tribute to Noel Coward.
Simon Stone has raised The Bard. His Hamlet, typically sliced and diced, is thrilling. And Toby Schmitz is commanding in the lead.
The Wharf Revue is back, warming up for its STC season with tributes to Tom Waterhouse, Gina Rinehart, Julie Bishop and, of course, The Abbott Family.
Crikey's theatre blog
For 20 years, Women In Voice has provided a stage for singers young and old in Brisbane. The anniversary series at the Judith Wright Centre unearths more stars.
The Floating World, a post-war time capsule, broke the mould for Australian theatre in 1974. A revival at Sydney's Griffin Theatre shows why.
Brief Encounter will charm your socks off. The British import production for the Melbourne Festival breathes new life into Noel Coward's nostalgic play.
He's played a French planter in the South Pacific and now he'll play the King of Siam in another Rodgers and Hammerstein hit. But is the "colour-blind casting" of Kiwi baritone Teddy Tahu Rhodes OK?
Set to the music of Stravinsky, Ireland's Fabulous Beast Dance Theatre brings its animalistic dance works to the Melbourne Festival. It's fearless and fantastic.
Super Discount is courageous theatre. Not because of its cast -- people with disabilities -- but because of where they dare to go with the material.