He's played a French planter in the South Pacific and now he'll play the King of Siam in another Rodgers and Hammerstein hit. But is the "colour-blind casting" of Kiwi baritone Teddy Tahu Rhodes OK?
Tony-winning director Bartlett Sher talks to Curtain Call about his life, Rodgers and Hammerstein and bringing his Broadway version of South Pacific to Australia.
It's your last chance to see one of Opera Australia's acclaimed productions, the Benjamin Britten chamber piece Albert Herring. The performances are fine.
Opera Australia's timeless vision of Verdi's classic, with a superb cast led by Emma Matthews, brings a finesse that defies the opera's grand scale and sumptuousness.
This is the opera for beginners. Even if you can't stand the form, take a chance on Opera Australia's production of Don Pasquale. It's just like a Roman Holiday ...
John Bell has restored Opera Australia's Tosca to its former glory with a monumental production that is a badge of honour for company and director.
John Bell has a daunting task: reinventing a much-loved Puccini classic after a disastrous earlier production turned off Opera Australia subscribers. He talks to Curtain Call about the challenge.
It's as good as Carmen can be, indoors or out. Opera Australia's Sydney Harbour spectacle might not be pure, but it's a visual feast and the performers are world-class.
What's Todd McKenny doing on the opera stage? It's all the fault of Jonathan Biggins and Phil Scott, who got up to no good in the Opera Australia workshop. Luckily there's plenty of laughs.
As long as we recognise terms like genocide and ethnic cleaning with repugnant familiarity, there'll be a place for Verdi's forward-thinking opera. This production shows no sign of ageing.