We’d like to welcome you to INQ, Crikey’s ambitious new inquiry journalism initiative. Starting June 24, INQ investigative reporting — lifting the rocks, connecting the dots, following the money trail and exposing misuse of power — will appear regularly in Crikey.
We look forward to sharing this exciting new phase with you.
Tamsin Creed, Publisher
Notwithstanding my earlier invocation of this affair as an example of the application of the Loftus Rule, i.e. a SNAFU of magnificent proportions, it is now clear we've never seen a shemozzle like this before in the NT or elsewhere. Hopefully we won't ever see its like again ...
Jessica's was not a life lost but a life stolen.
My family’s journey is but one of thousands of similar travels and travails undertaken by Stolen Generations’ members and their descendants. I follow in the footsteps of my grandparents – Bessie and Joe Senior; my father – Joe, and through the determined efforts of my mother, Dorothy, to ensure my father was reunited with his/our family. It is because of them – all gone now - that I have been able to undertake my journey, to work out where ‘home’ is for me.
Ethnoornithology is the study of the relationship between people and birds, and in recent years the field has emerged as a valuable source of ethnobiological research. Ethnoornithology provides an opportunity to empower people of all cultures to discover, re-examine and preserve the connections between individuals, groups and cultures and the birds that they hunt, venerate and cherish.
A look at all things northern... and some of the myths behind them.
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Fecund—Fertile Worlds is the first in Artback NT’s Spark NT Curator Program, initiated to foster art critical and curatorial practice within the NT and to provide NT artists with opportunities to showcase their work within curated touring exhibitions.
We were connected now, plugged into Dylan’s electric freedom and his voice rode with a rough edge over the tight music. ‘Concert’ was not quite the word for this performance, as words cracked in the air, I was aware I liked it more than any ‘singing’ I have heard before. When Dylan sang Pay in Blood (But not My Own) his voice sounded ancient, harsh and merciless.
It was only then they saw what the initialism spelt out, that they realised they couldn’t call the new seat of higher learning the “College of the University of the Northern Territory”.
I was lucky enough to know this charming funny and generous man who made incredible music, and who had a way of making me feel pretty damn special. Spencer was like a kid with a lolly jar around music and I found that irresistible in a man who’d written and played some of my all time favourite songs: Genevieve McGuckin on Spencer P Jones
Loftus Rule: A rebuttable presumption that where an NT government decision is questioned it is more likely to be a fuck-up rather than an innocent mistake. (Syn: snafu - situation normal, all fucked up)
I’ve been thinking about Chris Wilson a lot since I learned of his diagnosis with pancreatic cancer. It’s very sad I probably won’t hear him play again, won’t get to watch him own a stage and destroy a room again. But I’ve been so very lucky to have these memories and many others to carry with me as fuel: Jeff Lang