Menu
Scroll to top
Topic: Koulla Roussos
Fecund – Fertile Worlds – a curator’s review by Koulla Roussos

Fecund – Fertile Worlds – a curator’s review by Koulla Roussos

Fecund—Fertile Worlds is the first in Artback NT’s Spark NT Curator Program, initiated to foster art critical and curatorial practice within the NT and to provide NT artists with opportunities to showcase their work within curated touring exhibitions.

Yes, I can cook! Koulla Roussos on unrequited sex, art, food, jail and a pair of steel-capped boots

Yes, I can cook! Koulla Roussos on unrequited sex, art, food, jail and a pair of steel-capped boots

He winked and said, "no more chances". I slipped back into my steel cap boots, and marched confidently with a swagger towards the interview room. So yeah, I can fucking cook.

Linda Joy, Stone Country. Paul Johnstone Gallery, Darwin. Review by Koulla Roussos

Linda Joy, Stone Country. Paul Johnstone Gallery, Darwin. Review by Koulla Roussos

Landscape is perhaps the most value laden of genres within which to peel back the layers of influence in post-contact Australian history. Landscape in Australian art history and in particular “pastoraphilia” as the leitmotif of Australian nationhood and identity, mitigated the harsh historical realities and made palpable the strange and un-picturesque landscape for European eyes. Landscape is infused with the legacy of (and in this part of the world the ongoing) dispossession of land and wholesale destruction of people and culture.

Koulla Roussos on the dead heart of a fake city: the empty shops of Darwin CBD

Koulla Roussos on the dead heart of a fake city: the empty shops of Darwin CBD

Darwin is so far removed from this ideal it is the quintessential post historical frontier town masquerading as a fake city, the ugly city where the overwhelming ethos is one of indifférence, where the spectacle of private opulence thinly camouflages public squalor, squander and neglect.

What future the arts in the Top End?

What future the arts in the Top End?

The Darwin Festival has failed local visual artists. Spending money on a roving class of interstate creatives and acts is capital that gets drained out of the local culture making economy. There is no substantial quota for local engagement, there is no compulsion that local creatives get engaged and employed. The current festival model fails to connect with and engage the local culture makers. Even the influx of DF production crew in August are like carnies - here for the month then off again to fleece another community with their generic arts festival business model.

Matthew van Roden, you train your child – a review by Koulla Roussos

Matthew van Roden, you train your child – a review by Koulla Roussos

For van Roden, growing up within a Pentecostal Christian family, biblical verses and ideas were imprinted at a young age. “The spanking paddle, a manifestation of scriptural text, held within it the promise of keeping one’s children on the straight and narrow, a tool to guide them through the follies of youth; to temper the demonstrations of original sin. Disobedience of parents was rebellion against God and this scriptural inscribed spanking paddle would play its part in the righteous life.”

Giving a shit. Koulla Roussos on art and law

Giving a shit. Koulla Roussos on art and law

Begin by accepting that no one should be represented by an underpaid and under experienced lawyer, and no one in the arts should work to make your life brighter and richer for a pittance or for free, Koulla Roussos, Darwin 2016.

In Deus ex Dynamita. A Kalymnian Easter in Darwin

In Deus ex Dynamita. A Kalymnian Easter in Darwin

In Darwin, the Kalymnian dynamite ritual signifies the collective will of a small people defying the global trend towards homogenisation and celebrating their collective individuality with a bang, not a whimper.

Vipassana – false consciousness in the midst of queer meditation?

Vipassana – false consciousness in the midst of queer meditation?

I understand the whole purpose of Vipassana is to cultivate an alertness and attentiveness towards meditation free from sensual stimuli, however I believe the separation of the sexes merely entrenches heteronormative myths and stereotypes that are prevalent in mainstream society and from which the Vipassana retreat could be expected to offer a respite.