This is a guest post by Sean Davey, a freelance photographer, curator and gallery director based in Canberra, Australia. For the last week and a half, Judy Bamberger has been staging a one-woman protest at the front of Parliament House in Canberra, sitting under a makeshift awning in the constant rain. Judy is protesting the treatment […]
Northern Territory Attorney General John Elferink: Land rights, he said, had become a “wall of imprisonment” blocking Aborigines from participating in northern development.
I have today received a message from the Gurindji: 'Very sad we lost that old man, but good because now people all over Australia will be reminded of his great legacy and the great thing he did with our leader, Mr Lingiari. That old maluka'—old man—'understood our important role in land rights. We will meet today to plan how we will mourn him.'
In this NAIDOC Week when the focus is on the impact of the 1963 Yirrkala Bark Petitions to the Australian Parliament, it is timely to reflect how an old typewriter helped change the course of Australian history.
The Barunga Statement painting combined several clan designs from Yolngu country in northeastern Arnhem Land on the left with a large design featuring traditional Central Desert iconography on the right. As such it visually affirmed the unified demands of the Aboriginal people of the Northern Territory and the Land Councils that represented the interests of those who had already attained the first measure of self-management promised by the Land Rights Act (NT) 1976.