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Topic: Top End
When Pot Was King In The NT: Chapter Two – The Wollogorang Station Crop of 1977

When Pot Was King In The NT: Chapter Two – The Wollogorang Station Crop of 1977

By late 1976 Csidei was in real financial and legal trouble, with debtors—including the Bartons—and corporate regulators on his tail. Around this time, while on one of his occasional trips to Sydney, Harald Paech, manager of Csidei's Wollogorang Station, suggested—half-heartedly and after a few too many drinks—that Csidei might investigate the possibility of growing a cannabis crop to raise some cash.

The Great Disconnect: Sustainable Housing and Energy Efficiency in the Top End

The Great Disconnect: Sustainable Housing and Energy Efficiency in the Top End

The recently-developed Darwin suburb of Muirhead is the model of an obesogenic suburb. It is designed around the car. There is little or no provision of public transport. Streets are meandering and there’s nowhere to go. There are no retail, commercial or social facilities or amenity. There’s no milk bar, there’s not even a pub!

The trouble with shit-hawks – the firespreading raptors of northern Australia

The trouble with shit-hawks – the firespreading raptors of northern Australia

A post that looks at our research into firespreading raptors in the Top End of Australia ... and beyond.

Firehawks: avian pyromaniacs may have used fire before humans

Firehawks: avian pyromaniacs may have used fire before humans

This has major ramifications for land use and conservation across Australia's northern savannahs and potentially beyond. Changed fire regimes by Europeans from those practiced for millennia by Aboriginal people wrought dramatic changes on the Australian landscape, a factor which imperilled (and continues to imperil) the existence of many native species. How do we account for birds as another potential fire vector?

Return of the Storm-bird – the Channel-billed Cuckoo comes south for the summer

Return of the Storm-bird – the Channel-billed Cuckoo comes south for the summer

I've been very interested in cuckoos generally—and Channel-billed Cuckoos in particular—for a few years, especially in relation to the knowledge that Aboriginal language groups here in the Northern Territory and beyond have about them. I'd love to hear any information that groups outside of the areas discussed in the post may have—feel free to drop me a line or post a comment.

Talking Birds and Fire at the Barrapunta Bird Workshop, Arnhem Land, May 2017

Talking Birds and Fire at the Barrapunta Bird Workshop, Arnhem Land, May 2017

Karrkkanj is a term for the Black Kite but can also be applied to two other raptor species, the Peregrine Falcon and the Brown Falcon, Professor Evans explains. The Peregrine Falcon can also be known more specifically as ngalmirlangmirlang and the Brown Falcon as wunwunbu; these are said to be husband and wife. Karrkkanj is also ritually significant as the one who founded the Lorrkkon mortuary cycle.

Building up … going Troppo in the Top End

Building up … going Troppo in the Top End

Too. Fucking. Hot. I cleared the breathalyser and turned off Lee Point Road. As I drove past, just one hundred metres away from the alcohol and drug testing station, I could see one of the many old mates of Darwin’s Northern Suburbs leaning back in his plastic chair, pulling on a bong. Happy Thursday to you, Old Mate.

Fireflies—twinkling magicians of the night sky

Fireflies—twinkling magicians of the night sky

"Magical – that's the word I keep on using, it was magical. It was like being around fairies – the forest was glowing.": Nick Moir

Maypal, mayali’ ga wanja – tales from the Yolngu tidal zone

Maypal, mayali’ ga wanja – tales from the Yolngu tidal zone

Maypal is a complete part of Yolngu diet and it is free from the sea—celebrated in songs, dance and stories, integral to their world. In fact, maypal is an utterly fundamental part of the Yolngu world: Bentley James

What future the arts in the Top End?

What future the arts in the Top End?

The Darwin Festival has failed local visual artists. Spending money on a roving class of interstate creatives and acts is capital that gets drained out of the local culture making economy. There is no substantial quota for local engagement, there is no compulsion that local creatives get engaged and employed. The current festival model fails to connect with and engage the local culture makers. Even the influx of DF production crew in August are like carnies - here for the month then off again to fleece another community with their generic arts festival business model.