A US colleague has drawn attention to a portfolio of stunning futurist transport graphics created in the post war 40s which includes one, at the top of this post, which probably sums up the yearnings for a Canberra Airport for Sydney, connected to a very fast train.
The graphics by Arthur Radebaugh (1906-1974) were commissioned by the Bohn Aluminium and Brass Corporation of Detroit, Michigan, which was an engineering, design and manufacturing company.
They envisaged an American future in which public transport was paramount, and which didn’t come to pass in the 66 years since they were drawn and airbrushed.
The art work generally featured aspects of a three tiered transport future, of large spacious triple decker rocket planes, high speed railroads, and large futuristic buses and monorails, although it did allow for private cars around the edges of the world it saw as arising in the latter decades of the 20th century.
Bohn Corporation switched its thematic advertising to a different and ferocious anti-Red focus in the early 50s, and then fades to black in history.
Arthur Radebaugh was more than an illustrator, and in the few references to him that survive, talks about his concepts for future household products, and transport projects that also included large bridges using plastics as well as aluminium. He drew a syndicated Sunday newspaper comic strip, Closer than We Think, between 1958-1962.