TV has struggled to make a great show for a new generation of teens, but the call has been answered in the form of MTV sitcom Awkward. Laurence Barber explores how this bright and brassy show came to sit alongside the best comedies on television.
Channel Seven network executive and creator of Packed to the Rafters Bevan Lee has stated that TV's increasing engagement with new media makes his "blood run cold" and that writers are no longer "paying their dues". Wires & Lights explores why, in a world of shrinking ratings and more great TV than ever, Lee's perspective is as hypocritical as it is embarrassingly outmoded.
The critically acclaimed Redfern Now begins its second season this week on ABC1. Byron Bache takes a look at why it's a watershed moment for Australian television writing.
Game of Thrones is big business, but is it breaking new ground? Guest blogger Matthew Sini takes a look at the state of fantasy on television, and the divide between the HBO behemoth and Nickelodeon's The Legend of Korra.
It's the perfect case study. Two shows with the same premise: a women's prison, a terrified new inmate finding her place in the pecking order, and a pick-and-mix supporting cast of misfits whose stories are told in flashback. Wentworth premiered earlier this year on Foxtel's SoHo. Orange is the New Black debuts this week on Foxtel's Showcase. When it comes to scripted television, the divide between Australia and the rest of the world has never been easier to chart.
Modern Family has been called ground-breaking by one US TV critic, but within the history of LGBTQ representation on the small screen, where does it really sit? Does it compare to the watershed episode of Ellen that changed television in 1997? Laurence Barber explores the past, present and future of non-normative sexuality on the small screen, and asks the question: are we about to enter a golden age of queer television?
Chris Lilley's just-announced production for the ABC is a 6-part series based on twice-used bitchy teen Ja'mie King. After the slump of Angry Boys, can Lilley overcome the character's inherent limitations or will it prove to simply be a lunge for renewed commercial success?
This Saturday, RuPaul’s Drag Race airs on free-to-air television for the first time. While LOGO TV starts cutting together the already-filmed footage for season six (in which it is rumoured our own Courtney Act may actually be a contestant), SBS2 brings the first season to our screens. Guest blogger Christopher Welldon thinks it’s a perfect fit.
Game of Thrones is the dominant genre show of the moment. But with more science fiction and fantasy adaptations on the way, guest blogger Jack Reed asks where we turn for the imaginative mystery and unpredictability that The X-Files and Lost once gave us. Surprisingly, it's to a dark drama about a family man cooking crystal meth.
Adventure Time and Louie are, on the surface, vastly different shows; one's a kaleidoscopic cartoon, the other a Woody Allen-esque sitcom about a middle-aged comedian. So how is it that they have come to be so fundamentally similar in a way that is radically reshaping TV storytelling?